U-KISS are better than your oppars aka EX(wh)O

Hearing Alone for the first time was like every holiday had been mixed together and stuffed inside a pie.

 

While I have been MIA for the past several months, I assure you my ears have been awake and working hard. Where some groups have been doing shit-all (that means you, EXO) others have been working their pretty, sculpted backsides off to no avail.  Arguably, EXO’s success—which has come about from one mere, mediocre mini-album—is riding off the power of their company and label mates’ established names rather than their own merit and hard work. Because of this, I find it difficult to not to shed a tear for the poor souls on lesser known labels whose talents are just as good as—or perhaps better than—the power groups of SM, YG and JYP Entertainment.

Yes, I’m looking at you, U-KISS.

  U-KISS-Stop-Girl-Wallpaper-u-kiss

U-KISS have been so prolific in my absence (actually, I haven’t gone anywhere—I’ve just been lazy) I’m actually using this semi-opinionated rant article as a mass review for the stream of releases in Japan and Korea over the past few months. Following DORADORA, our little workaholics have released eight MVs, two Japanese singles, two mini-albums, one full-length album, and two digital singles that no one actually remembers. The point is U-KISS have done more in seven months than some groups (coughexocough) have done their entire career. Is this the result of the age-old quality vs quantity debate? Maybe. Or a testament of label power? Most definitely.

As fun as it is to rip on EXO—their fans are so blindly and hilariously defensive it’s actually sad—that is not the point of this article. I’m here to glance over U-KISS’ recent endeavours and lament over their continued but unjustified lack of notable success. I know I’m supposed to be (relatively) unbiased but get over it: U-KISS are awesome and deserve my love and your money.

DORADORA was very quickly succeeded by yet another mini-album; The Special to KISSME hit our screens just one month after DORADORA with title track Believe. While notably lacking the edge and style of the previous release, Believe was certainly fresh and easy listening. I mean, how could it not be with all those pastels and aqua? Written by member AJ, the track was catchier and more likeable than anything called Believe should have been. Thus, AJ’s decision to take a brief hiatus from the band to pursue tertiary education was the saddest day of my life. (It wasn’t really, because I’m not insane.)

AJ’s departure did not leave the hole I thought it would: Stop Girl was an amazing mini-album and despite its ballad-like appearance, it didn’t make me want to kill myself as ballads tend to do. If that isn’t a credit to U-KISS’ talent then I don’t know what is. The black and white MV was poignant and the inclusion of an English version of the song was very much welcomed. Another highlight of the Stop Girl mini was accompanying ballad Time to Go. I’m not really sure what it was about September that made me so welcoming to slower tunes, but I certainly won’t complain because this album quenched a thirst I didn’t know I had.

Somewhere in between Believe and Stop Girl were Japanese releases, Dear My Friend and One of You. I don’t really have a much of an opinion to offer on these tracks because Japanese music labels are monumental tight-arses when it comes to offering full-length videos on YouTube, thus I have never given them more than a once over. Evidently, they were not that memorable—much like digital singles Cinderella and Gangstar Boy which no one outside the diehard KISSMEs have even heard of. Rounding out 2012 was yet another mediocre Japanese ballad by the name of Distance. It was … nice. And that’s all I’m going to say.

If 2013 is not U-KISS’ glory year then something is horridly wrong with the world. The year has started strongly in the industry, headed by new releases from big guns SHINee and Super Junior M. While I think Breakdown is brilliant and my ears like Dream Girl much more than my eyes do, my highlight so far this year is U-KISS’ latest Japanese single. Hearing Alone for the first time was like every holiday had been mixed together and stuffed inside a pie. And if there’s one thing I like, its pie. Alone is dark, gritty, catchy and undeniably sexy. Even Kevin with his androgynous looks and borderline homosexual mannerisms had me swooning. The sheer joy this song had AJ forgotten in seconds. But let’s face it—what group actually needs three dedicated rappers? In any case, this song had me cursing avexnetwork more than ever for being so narrow-sighted and backwards and not having HD version of their music videos posted in full to their YouTube Channel. Believe it or not guys, free public exposure is actually helpful. Who would have thought?

No comeback, however, is official unless it takes place in Korea.  While I question the decision to release so closely to SHINee I strongly commend U-KISS on their comeback stages. Personally found title track Standing Still had much more of an impact than SHINee’s eye-murdering Dream Girl. If wardrobe was anything to take into consideration then U-KISS would have won hands down because God knows SHINee’s stylist should have been euthanized years ago.

Taemin's awful wardrobe in DREAM GIRL

Standing Still is an amazing showcase of vocalists Hoon, Kevin and Soohyun. As with much of U-KISS’ discography these three carry the bulk of the workload, and with well-earned justification.  And Hoon’s blond hair is just smokin’. Appearance aside, Standing Still is a solid track and I regret to say I’m unable as yet to locate a copy of the full album, Collage. How about you import some Korean CDs other than TVXQ, eh Japan?

Let’s put praise on hold for a minute and remember: no band is perfect. While U-KISS’ music and vocals are definitely up to snuff their choreography blows more than an underpaid prostitute. This is not really a reflection on the talent of U-KISS themselves but more the rather strange inspirations of their choreographer. How about we take a moment to remember the enraged chicken of the Neverland video.

U-KISS - Neverland Dance

But if the industry worked on dancing prowess alone, there would be some serious eyebrows raised over Super Junior’s success. Yes, that is an unveiled stab at Heechul. Possibly Yesung. Definitely Ryeowook.

And on that note …

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3 responses

  1. This is just a treat to read…for some reason, i felt my eyes were tearing up a bit…your article is just full of love for U Kiss. I am relatively new to Kpop and known U Kiss 2 months ago, but never left their YT videos ever since as i have been hooked badly with them. I love all their songs, read all articles i could possible read online, have ordered their album, and have their videos my lullabies at night…lol. Again, great article, and I pray that they get the recognition they truly (and way overdue) deserve.

  2. And I always thought Kyuhyun started with some questionable dancing skills too.. ;)
    I remember the days when I was a big U-Kiss fan (I mean stingy old me even bought their Bingeul Bingeul Album o.0)! And then I transitioned to being a Shawol (Onew and his voice… is <;; Such a coincidence they were all mentioned in your article! (Oh, and I started out as a Suju fan… :D)

    But anyway. I just wanted to say that I'm really enjoying your posts… They are so much fun to read~ I am forever looking for authors who do posts about kpop with a bit of humour, sarcasm and so your "blunt and brutal" take is my dream come true ;)

    I haven't really kept up to date with U-Kiss after their Bingeul Bingeul promotions :') But the one song that was stuck in my head for a loooong time was Stop Girl~ I admire that they've continued with these solid releases even though they may not be super super popular (?) ^^

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